Instrumentalists
- bio
Giovanni Trovalusci - Biography
Roma
Roma
Instrument: Flute
He graduated in flute at the "Santa Cecilia" Conservatoire, he specialized in the contemporary repertoire with Pierre-Yves Artaud at Paris and in the performing practices of early music with Jesper Christensen and Oskar Peter at the Schola Cantorum of Basle.
Since the 70s he has been active in the field of contemporary as well as early music, in music theatre and avant-garde performance; he has worked with artists like Evan Parker, Dagmar Krause, Tim Hodgkinson, Moni Ovadia, Gabriella Bartolomei, Ossatura, Studio Azzurro, Ars Ludi, Giorgio Battistelli, Michelangelo Lupone, Walter Prati, Stefano Taglietti and many others, performing at major Italian and European festivals (Munich Biennale; Strasbourg Opera; Ars Electronica, Linz; Musica Verticale Festival, Rome; MilanoOltre; Italy in Houston, Texas; Manca Festival, Nice; Rheinisch-Westfälisches Music Festival and WDR, Cologne; GAS Festival, Gotheborg etc.)
His musical research has led him to discover parallel artistic areas and traces, like theatre, dance and poetry, as is evidenced by the wide range of instruments adopted: modern, classical and ethnic flutes, new specially designed instruments and live electronics. He is Artistic Secretary of the SONORA Project and is also one of the coordinators of the activities of Federazione Cemat (Music Centres Equipped with Electronic Apparatus).
Updated to 2001 Since the 70s he has been active in the field of contemporary as well as early music, in music theatre and avant-garde performance; he has worked with artists like Evan Parker, Dagmar Krause, Tim Hodgkinson, Moni Ovadia, Gabriella Bartolomei, Ossatura, Studio Azzurro, Ars Ludi, Giorgio Battistelli, Michelangelo Lupone, Walter Prati, Stefano Taglietti and many others, performing at major Italian and European festivals (Munich Biennale; Strasbourg Opera; Ars Electronica, Linz; Musica Verticale Festival, Rome; MilanoOltre; Italy in Houston, Texas; Manca Festival, Nice; Rheinisch-Westfälisches Music Festival and WDR, Cologne; GAS Festival, Gotheborg etc.)
His musical research has led him to discover parallel artistic areas and traces, like theatre, dance and poetry, as is evidenced by the wide range of instruments adopted: modern, classical and ethnic flutes, new specially designed instruments and live electronics. He is Artistic Secretary of the SONORA Project and is also one of the coordinators of the activities of Federazione Cemat (Music Centres Equipped with Electronic Apparatus).